"Upon the curvature of a hill
Grass to heel, ranges glimpsed
The glimmer of a sword like a noonday star
That guides the praying hands of a king"
Arranged in two sessions: the first in September in a more wild and raw form, exploring feedback arrays within a pin matrix, and the second in December, late on the eve of my eighteenth wedding anniversary, stoned and warm, bathing in loops. The poem was brought to mind as the loops persisted, forming shapes and vistas in my greened mind, despite it being written without a title or a purpose as far back as January 2021. More and more, it feels as if parts of my thinking are only fragments of creative work that cannot make sense until a certain amount of time has passed, awaiting their true contexts, while I ponder them from the outside like dreamt-up secrets, messages from and to someone else, absorbed temporarily in the jumble of my brain by some undefined body capacitance.
Catalog designate: UR-22/349
Source sound: Future Sound Systems MTX9A pin matrix (feedback loops)
Image: Luigi Mayer / Reprocessed by ABM&D
credits
released December 18, 2022
W/P by Brian Grainger. Primary session recorded on September 16th, 2022 using the R-EW Audioholistics modular system, focusing specifically on a Future Sound Systems MTX9A pin matrix arranged in a feedback array. Secondary loop and mixing session recorded December 15th, 2022. Mastered by The Analog Botanist. Poem by Brian. Design by ABM&D using visual sampling from 'Monuments near Tortosa, Plate II' by Luigi Mayer, c. 1800. (C) + (P) Oscillog ASCAP 2022. All nights preserved.
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