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2022​.​01​.​06 01​:​12 AM

from The Violence in Hell is Made of Blood by LSZ

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Four Karplus Strong synthesizer voices (Mutable Inst. Braids + Rings, 2HP Pluck) sequenced by Quantermain in Ornament & Crime, playing "Porcupine" scales with CV source via Euclidean pattern generation. These signals are combined with a Doepfer A-135-2 mixer, reduced to mono, then multed (Behringer 173) and routed into two lowpass filters (Doepfer A-121-3 + 2HP, modulated by two different EGs with differing rates), and sent onward to Strymon Magneto in stereo, whose wet sound is multed and sent to Mutable Inst. Clouds. Magneto also uses a Disting Mk4's mono to stereo reverb (L3) for an auxiliary send, and many aspects of Magneto and Clouds are modulated/triggered via several different LFOs and trigger outputs from Blue Lantern's CMOS Party (Boolean gates) and CuteLab's Missed Opportunities (probabilistic gates). The final result of these two modules' outputs is sent into a Behringer 305 stereo mixer and recorded.

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from The Violence in Hell is Made of Blood, released January 6, 2022

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Limestone Ziggurat Dayton, Ohio

RECURSIVE AUTOTROPHIC LANDSCAPE

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